For fans who are still trying to figure out season three of Dark who was Noahs dad again? We want to know where we are going. Some of it, we knew. We always approached it as a global show, but we never, never, never expected that kind of success.. It's all rooted in one core idea. Friese: It was one of the things we always wanted to do. Because if you cannot express certain emotions through your language then theyre almost non-existent in that culture. 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Even a camera is a tool for me, I love to play around with it, or with a lens. She was last seen stealing a time machine, traveling to the past to taunt her old lover, and then taking off on her own. Some said: Oh, it felt more at ease, like it was easier to comprehend. 1899 Season 2: Rosalie Craig Reveals What Was in Store for Virginia And then the pandemic happens, the show was supposed to be shot in a very traditional way, where we would have gone to a water tank and we would have built ship set pieces and traveled to other countries to shoot scenes there and stuff like that," he says. Subscribe for full access to The Hollywood Reporter. Note: This article contains major spoilers up through Dark's Season 2 finale, and some mild spoilers for Season 3. We looked at all the characters and tried to find out whats really important, what we need to deliver.. "We started in Season 2 to outsource my brain, so to say," Friese explained in a Zoom interview. IndieWire is a part of Penske Media Corporation. What happens when you have all these different cultural backgrounds, that are put into a space like this? I cant tell you exactly at what point; it wasnt in the first rough concept, but I think it was during the writers room on the first draft in Season 1, said Friese. "To create worlds you need to create patterns, and the best way to create patterns is by using symbols," he said. 1899 Netflix TV Show Creators Interview - The Hollywood Reporter We thought it better to shift. I went out with my large format camera and I was taking pictures of those locations like a fan. What were some of the touchstones you used when designing the series? INTERVIEW 1899, the series from the producers of "Dark", has launched bo Odar:Yeah, they really didnt understand each other. It was something to give to the actors. Narratives or stories are always about human behavior and human connection. Friese knows the reason for his injury and eye patch, but wouldnt reveal what happened. Do you already have the world of 1899 built out in your mind for the potential next two seasons? In the first season ofDark we still had stuff on the walls, but no one ever looked at it. '1899' First Interviews: Netflix & 'Dark' Creators - Deadline The first season is actually very simple: Its a small town, with kids disappearing, and then theres some time travel events in the cave. Friese said, That was the centerpiece of it all. Netflix's Dark, the streaming service's first German-language original series, follows four families in a small town who become engaged, sometimes unwittingly, in a time-traveling battle between seemingly good and evil forces. That was one of the cornerstones to developing the third season. If youre in that core group, and youve figured it out, you should be proud of yourself, its an awesome experience. "And it helped us see that we can trust our instincts, and there are people out there that are actually interested in our voice and what we have to say and how [we] tell stories.". How do I free myself from my reactions to certain impulses? I was like, Wow, its such a cool concept. We werent 100 percent convinced that we would get people [away] from the second screen and actually take the time and investment to watch whats going on. It was a really awkward feeling that day, Odar said. It's just the camera trick. "It was really nice that [Dark] was so well received, especially because it is a very weird, complex show in general," Odar admits. You can never give a satisfying answer. "If you don't look at the narrative chronologically, but you pick out single characters and just look at their character arcs, it becomes a lot easier," Friese said. This time travel paradox of creating a closed causal loop, where the origins of something cannot be determined such as the chicken and the egg, is introduced in Season 2 to set the groundwork for such mind-blowing revelations. So you didnt have to really change the way that youre shooting; you can do the shot and the reverse shot in one day, which was really helpful. Ling Yi has a digital glitch in her arm, so clearly its something digital [at work on the ship]. One is theme, the other is character and the other is plot. In a time where new genre television content feels rare and must be savored at all costs, one specific rabid fandom has a show to sell you on: Dark, Netflixs German time travel thriller from creators Baran bo Odar and Jantje Friese. America So She Could Breastfeed Privately, Michael J. "And obviously, this will only happen if enough people watch, but the way that we approached development and how season 1 is ending, you kind of want to have another one. When we arrive at the start of Season 3, the big twist of Season 1 that main character Jonas Kahnwald is actually the son of Mikkel, the young boy who mysteriously vanished from 2019 and somehow ended up 33 years in the past seem quaint by comparison. Is it because it was a time of confrontation between technology and tradition? With all that in mind, they set out to make 1899, which follows the multicultural passengers of a migrant steamship heading west to leave the old continent, whose journey takes an unexpected turn when they discover another migrant ship adrift on the open sea. Even after watching it, there is no such thing as a cursory consideration of its events; each and every character who lives in the fictional town of Winden, Germany is greatly impacted by one another, whether its because someone is secretly someone elses time-traveling father or, weirder still, their own time-traveling granddaughter. Its nice that this is built upon something that we created and someone else will come up with a new idea and so on. Those were a key reference. We didnt try to make it easier. This series, like Dark, is a huge mystery, a mystery wrapped in an enigma. Insane. Odar:Thats the purest geometrical form you use to create all the other forms. People write stories about the relationships between Aleksander and Regina, and stuff like that. You see Adam blowing wind on the one world, and on the other, you see Eva blowing wind on the other world. Most people dont understand, that, because theyve never used it. Sign up for our Email Newsletters here. You're crossing into a new century, stepping from something that feels old school to something new the future. Sign up for our Email Newsletters here. 'Dark' Season 3 Interview: How the Co-Creators Pulled Off All the Literally, it's bad. It just looked pretty. Influencers: Profiles of a Partnership 2022, How to Pitch Stories and Articles to IndieWire, 'Dark': Season 2's Insane Ending and All the Burning Questions Season 3 Needs to Answer, Dark: Here Are 8 Easter Eggs You Might Have Missed Amidst All Those Time Travel Shenanigans, The Best 36 LGBTQ Movies and TV Shows Streaming on Netflix Right Now, The 25 Saddest TV Character Deaths of This Century, Adult Ulrich (Oliver Masucci) and Elderly Ulrich (Winfried Glatzeder). "I would say culturally, there's a lot of difference between German Europe and India. Friese: I dont know. But its not like what we thought: People didnt understandDark, so we have to make this one easier. It felt like unified Europe was slowly breaking apart, like every country was doing its own thing. "I don't know if that's a German thing. But we stumbled upon a picture of a man in a white shirt covered in blood, with a hammer in his hand and a really weird look on his face, standing on top of what looked like an old boat. It gives this other world a huge chance. Come along for the ride! But the people creating the show needed more elaborate tracking methods. Menu. Dark- Netflix original series | Page 18 | AVS Forum 1899just has a different structure. But this is a big, new toy and not a lot of people have used it yet. All Rights Reserved. That was the initial plan. 'Dark' final season: here's what happens at the end of the Netflix time travel thriller. That was the big question. Friese: I think there is a lot to tell. Fox Says Battle With Parkinsons Disease Keeps Getting Tougher: Im Not Going to Be 80, TV Premiere Dates 2022: The Complete Guide, Broadcast TV Unscripted Scorecard 2022: Whats New, Renewed and Canceled, TV Pilots 2022: The Complete Broadcast Guide, The Definitive Voice of Entertainment News. bo Odar: We dont have bad ideas. Your Burning Firefly Lane Questions Answered. Stay on top of the latest breaking film and TV news! And even though the culture is different all around the world, there are certain things that are everywhere. FrieseThat was the whole point of the show. From the creators of Dark, the mystery-thriller will melt your mind. What do all the triangles and pyramids mean? John Mulaney's New Netflix Special Is a Critical Reminder About Celebrity Says Jeff Wise from The Plane That Disappeared: The entire aviation industry has an asterisk next to it.. They always knew where it would go, but they recently watched the last episode in the cinema and they were like, oh my God!, Odar: We dont play with the audience and treat them as fools and idiots; rather, the opposite. In every season there is what I always call a bridge episode, because to me its like the bridge in a song Friese said. How did the script work did you write in German and then have things translated? Speaking how we think French people would speak. And Odar has a bit of advice to viewers: "We do love to play with genres and expectations. ", The poster for 1899 (below) shows a ship perched on the edge of a triangle in the middle of the ocean, leading some fans to speculate that the mysterious Bermuda Triangle myth could play a part in the story. "But there are also things that are quite different in terms of atmosphere and tonality, but also pacing and more action-y stuff happening. She is a writer and producer, known for Dark (2017), Who Am I (2014) and 1899 (2022). Michael (Sebastian Rudolph) is Michael. For two or four weeks I was completely lost to the world.. 1899, which made the TIFF Primetime Program I think 95 percent of the shots are handheld to make it feel alive and wild. Weve talked to a lot of people whove had the opportunity to see the first six episodes, and its kind of half and half. It's really bad. For a long time, even already in film school, we had this urge to change that, to really have characters from particular countries speak in their own voices, because language really defines character. This, this Volume technology, is the beginning of a new era of visual effects. Doubtlessly, you have questions on your mind, about the two new worlds introduced in the final season, how the Dark production team put the parallel universe into reality, what Jonas and Marthas final sacrifice meant, the logic behind the final dinner scene, and most importantly this: is there more to the story? Through three seasons of Dark very little made. It's Me, Margaret' to 'R.M.N.' What resonates with a lot of viewers is this feeling that we also sometimes have: do we matter? "We worked on a database where every scene is broken down under certain circumstances. Jantje Friese: It was actually really weird because I think there are so many people, especially in the industry, who are working, working, working, working to finally get to that moment of. Jantje Friese Actually, the idea and the spark for it happened years ago. the prospect of diving into another twisty metaverse from the minds of Dark creators Jantje Friese and Baran bo Odar likely comes with equal measures of excitement and trepidation. How composer Ben Frost creates dream-like sound design. We also decided to shoot that scene on the very, very last shooting day. Jantje Friese: 1899 is special because it's very topical - in 1899 people had a lot of racial prejudice, class prejudice, gender prejudice and so on. What we did is construct a turntable so that we can spin the set around in a few minutes. I think its a very individual thing. Interviews with leading film and TV creators about their process and craft. But you can only read it once you see how it ends. Odar:We mirrored the image in the camera. And thus, fans of this science fiction series can be found discussing Nietzsche and other philosophers, trying to unlock the shows themes of free will and fate, alongside the physics of time travel. The Hollywood Reporter is a part of Penske Media Corporation.
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jantje friese interview